Wednesday, August 17, 2011
Connecticut in Four
The guy leaves his kids with us at the picnic table. Well, not with us, but near us. Still, we are required to watch them, as no one else bothers to pay attention, preoccupied with picking soft meat from the inflamed exoskeletons of lobsters. Mine has already been removed and placed in a neat pile on a seeded bun. Between quick bites, I scold the brother for shoving his sister with the black curls. The though of her falling, grasping at the dock’s frayed rope divide, makes me sputter instead of her.
Claude the Innkeeper reminds us not to forget out bathing suits. He emphasizes that the hot tub is new, therapeutic. His eyes never settled in one place, his mouth twisted thin as he tells of bad reviews on Yelp. Spelled Y-E-L-P. Could we please write something nice? And do use the hot tub. There are at least six different types of spigots.
Mary is from Georgia, where there is always something happening. She rinses a mug in a kitchen enshrined with sea captain figurines and mounted harpoons. It is raining and we can’t leave yet. The train isn’t till four. She walks toward our room, cleaner in tow. I hear plastic rustle and am aware of our garbage being emptied. I wish I could replace her bucket with a slotted basket and set her in an orchard just as the sky starts to clear.
Friday, May 27, 2011
Queen Vick Mix
Sunday, May 15, 2011
Go Phish
Saturday, April 16, 2011
Kid, You Are Going Places
Wednesday, April 6, 2011
Name That Tune
For music purists, sampling is weird. Usually it is experienced while mingling at a party or busting a move on the dance floor. A song fades out and is replaced by a fresh beat, one that is strikingly familiar yet purposefully distorted. No one else seems perturbed. Even if they were, they probably wouldn’t show it. The practice is as common now as it was fifty years ago, the sound already lying dormant in our ears.
By definition, sampling is when an artist takes a portion of a previously recorded song and reuses it within the context of a new track. The sample can be purely instrumental (like a guitar solo) or actual lyrics. Musicians such as Girl Talk have built their entire careers on the foundation of recycled tunes, transforming the act of sampling into a post-modern, ‘nothing is original, nothing is individually owned’ philosophy. Frequently, this mindset has lead to bouts over copywriting infringements. While the legal implications of sampling remain debatable, one thing is for sure: no song is immune. The fact was recently reaffirmed to me at a friend’s open house. While chatting with other guests, I heard strands of Bob Dylan’s “Subterranean Homesick Blues” issuing from a nearby speaker. The line, “Johnny’s in the basement mixing up the medicine” was on repeat, laid over a rap solo.
Later when I got home, I Googled and found out that the artist was Juelz Santana. The title of his mix was appropriately named, “Mixing Up The Medicine.” I loved the original Bob Dylan song and therefore felt a bit bothered by Juelz Santana’s take. However, my righteous indignation dried upon discovering another resource – Whosampled.com. Who Sampled seeks to “explore and discussing the DNA of music.” The site allows you to search a directory of over 80,000 sampled songs and 31,000 artists who have utilized sampling or covers during the duration of their careers. Even better, there is an audio feature that allows users to compare sampled songs with their originals.
I typed ‘Bob Dylan’ into the search engine. Dylan himself is cited as only using two song samples (“Seven Minutes of Funk” by Tyron Thomas and The Whole Darn Family and “Change The Beat” by Fab Five Freddy featuring Beeside). Nevertheless, his ‘Covers’ tab is significant, listing a variety of blues and folk references (my favorite being “House of the Rising Sun”).
Whosampled.com is music under a microscope with content that illustrates connecting points and heralds founding beat-makers. I’d highly recommend taking a look, if only to jog your memory. As for me, in the future I plan on being more forgiving. Afterall, imitation is the highest form of flattery.
Sunday, April 3, 2011
MM Removed From Fall AMC Lineup? What the What?
Tuesday, February 1, 2011
Snotty Sleeve
"Blue Valentine." Saw it at the Angelika a week ago and fell in love with the dull ache it left inside my rib cage. The story is familiar territory - a plot that revolves around the dissolution of a relationship. However, the way "Blue Valentine" showcases love's gradual fade-out is not trite. There is a constant juxtaposition between then and now - leaving even the sweetest of moments tinged with an unbelievable sadness because we, unlike the characters, know what lies ahead. Often times I get irritated by movies that aim to depress but don't give adequate authenticity to the emotion. Plenty of cinema aims at make audiences weepy. The goal is not satisfied if there is not a source of identification. Without identification, the movie gravitates quickly into being labeled as 'bad.' The problem isn't that melancholy movies are poor. More like viewers don't appreciate cheap shots aimed at provoking their tear ducts. Nobody enjoys a let down without a reason. What I want from a sad movie is realness - a mood that stirs up what I already know well, a discomfort that makes me remember something I had wished to forget.
Saturday, January 8, 2011
Ooo, Child
No experience is ever completely bad. Though I was frequently embarrassed by them more often than not, I loved my hyperactive family. I love the calm adults they have become too. Sometimes I forget how awesome their age is and for that reason, I am glad for dinner party reminders. As I write this, I am eating a cupcake squirreled away from the dessert plate downstairs. I hear Olivia, my youngest sister, attempting to play with the toddlers. They have discovered our old dress-up trunk. One wears a leather vest and carries a plastic rifle. She points the gun at Liv. "I am the Sheriff and I am going to drag you to jail." Liv, being the pragmatic one, replies, "Wouldn't it be easier if I came willingly?" After thinking a moment, Sheriff retorts, "Okay, fine. Lets walk to jail." Then, as if to reinstate her hardened, Clint Eastwood authority, concludes: "But in one year, I will take you from jail and shoot you until you are dead."
Ah, memories.